Alex G has announced a new show at Glasgow&#39;s legendary Barrowland Ballroom later this year. Pennsylvania&#39;s preeminent master of melodic nostalgia and indie rock experimentation Alex Giannascoli and his long-serving band of brothers return to the city on Mon 17 Nov for their biggest Scottish live show to date, swiftly following the announcement of long-awaited new album Headlights, due for release on 18 July. <a href="undefined">In the meantime, Alex has previewed the first track from his new album</a>, entitled Afterlife. Aided by an irresistible mandolin-heavy hook, the song plays to the melodic strengths of previous records God Save The Animals, House of Sugar and in particular, 2017&#39;s Rocket, yet hints at new narrative direction and perhaps the most dextrous and most refined production to date. It&#39;s a bittersweet little banger which more than justifies the excited anticipation of this new record, perfectly-placed to come out right in the heart of summer.Pre-sale for the Barrowlands show starts on Thu 19 June @ 10amSign up <a href="undefined">HERE</a><a href="undefined"></a><a href="undefined">Check out the video for new single &#39;Afterlife&#39; below: </a><div class="video-container">
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ALEX G TO PLAY BARRAS IN NOVEMBER

Big Nights @ La Belle is a new month-long concert series taking place during the Edinburgh Fringe Festival this summer, only at La Belle Angele. This exciting new collaboration between the popular Old Town venue and summer events series Big Nights Out will host a cavalcade of extraordinary performers across the whole month of August, from familiar names and party starters to your new favourite artist. Beloved Libertines co-founder and esteemed solo artist Peter Docherty will perform across two nights in support of his much-anticipated new album Felt Better Alive (12+13 Aug); Kristen Hersh brings her popular 90s alt-rock combo Throwing Muses back to the capital with their first album in five years, Moonlight Concessions (20 Aug); Multi- Grammy-Award-Winning US Blues artist Fantastic Negrito brings his explosive live show to the city on 19 Aug, while revered MC and master of the bass-baritone flow, Chali 2na (Jurassic 5, Ozomatli) brings his solo tour to Edinburgh for a hip-hop masterclass on 11 Aug. Elsewhere throughout the month Big Nights @ La Belle will welcome cinematic US indie rock elders Mercury Rev; charismatic Australian singer-songwriter, X-Factor Australia sensation and recent Coldplay touring buddy Emmanuel Kelly; the bittersweet brilliance of BC Camplight; beguiling North East alt-indie collective Lanterns on the Lake; beloved UK indie-folk project This Is The Kit; electronic jazz heavyweights Svaneborg Kardyb &amp; Vega Trails; UK blues-rock duo When Rivers Meet and rising Scottish neo-trad trio Project Smok. There will also be plenty of chances to party with performances from septuagenarian rap duo Pete &amp; Bas, Tony Hawk’s Pro Skater live tribute The 900, LA jazz-funk cosmonauts Thumpasauras, 80s hitmakers Men Without Hats and Croatian Eurovision star Baby Lasagna. All shows on sale now at bignightsout.com

New Summer Concert Series to Join Edinburgh Fringe in August

Rising Chicago indie rock crew Beach Bunny return to Glasgow for their biggest Scottish show to date on Sunday 19 October. Tickets on sale Fri 28 March @ 10am <a href="undefined">HERE </a>The band, expanded from the bedroom project of prolific master of melody Lili Trifilio, will be touring in support of their anticipated new album Tunnel Vision (out 25 April). You can watch the video for the eponymous new single below:<div class="video-container">
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Beach Bunny announce new headline show in Glasgow

Big Nights Out has announced a new wave of summer concerts at Queen’s Park Arena as part of its 2025 programming across two of Glasgow’s iconic outdoor bandstands. Over several nights in May, June and July, Glasgow will play host to a packed line up of world-renowned artists and local legends for a run of very special live outdoor performances at Kelvingrove Bandstand and Queen’s Park Arena this year.Today, new performances have been added to the line up at Queen’s Park Arena, including Leeds post-punk faves Yard Act (18 July), punk-jazz experimenter Geordie Greep (black midi - 19 July) and rambunctious London indie-punk collective Warmduscher (5 July). Pre-sale starts on Wed 26 March @ 10am Tickets <a href="undefined">HERE</a>

Yard Act, Warmduscher and Geordie Greep added to Big Nights Out

Michelle Zauner&#39;s cinematic indie rock project Japanese Breakfast has today released their fourth album, For Melancholy Brunettes (&amp; Sad Women) via Dead Oceans. The album&#39;s release preceds the band&#39;s return to Scotland with a summer headline show at Glasgow&#39;s iconic Barrowland Ballroom set for Mon 30 June. This will be their biggest Scotland show to date, charting an impressive growth in scope and stature over the course of four well-received full length albums since. Tickets for Japanese Breakfast at Barrowland Ballroom, Glasgow on 30 June available <a href="undefined">HERE</a>For Melancholy Brunettes... is available now from all good record shops. Watch the video for latest single &#39;Picture Window&#39; below:<div class="video-container">
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New Japanese Breakfast album out now. Barras show set for June.

Poppy: Constantly Nowhere Tour

Glasgow

Galvanizers, SWG3

Venue Premium - Dave - The Boy Who Played the Harp Tour

OVO Hydro

Dave - The Boy Who Played the Harp Tour

The Vaccines

Edinburgh

Usher Hall

Andrea von Kampen is a Nebraska-based singer-songwriter whose music blends intimate storytelling, poetic lyricism, and warm acoustic arrangements. With over 60 million Spotify streams, releases on Fantasy Records, and performances at major festivals including Newport Folk Festival, she has built a devoted global following. Her 2024 album Sister Moon explores humanity’s relationship to nature and the earth, while her latest protest EP channels urgency, hope, and solidarity. Known for live shows rich with storytelling, humor, and heartfelt connection, Andrea von Kampen delivers a concert experience that feels both deeply personal and joyfully engaging.

Andrea von Kampen

The Hug and Pint

Milkweed describe their sound as slacker-trad, which is both true and&nbsp;somehow insufficient. For three years Milkweed have refined a formula –&nbsp;taking existing source material (a&nbsp; folklore journal, a book on Welsh&nbsp;myths, another on bronze age human remains and most recently Thomas&nbsp;Kinsella’s masterfully stark translation of the Táin Bó Cúailnge), cutting&nbsp;up the words and&nbsp; feeding them through a woodchipper of lo-fi production&nbsp;and experimental folk music.&nbsp;&nbsp; On the face of it their musical concerns are transatlantic – they follow&nbsp;the rich creative line that runs between British traditional music and the&nbsp;songs and tunes of the eastern United States. In reality their scope is&nbsp;global, and rooted in deep time, with influences from prehistory bleeding&nbsp;into a troubled and troubling modern era. As a result their music doesn’t&nbsp;sit easily anywhere, but ricochets between bewitching folk music and&nbsp;disconcerting hauntological experimentation.

Milkweed

Pianodrome

Milkweed describe their sound as slacker-trad, which is both true and somehow insufficient. For three years Milkweed have refined a formula – taking existing source material (a&nbsp; folklore journal, a book on Welsh myths, another on bronze age human remains and most recently Thomas Kinsella’s masterfully stark translation of the Táin Bó Cúailnge), cutting up the words and&nbsp; feeding them through a woodchipper of lo-fi production and experimental folk music.&nbsp;&nbsp; On the face of it their musical concerns are transatlantic – they follow the rich creative line that runs between British traditional music and the songs and tunes of the eastern United States. In reality their scope is global, and rooted in deep time, with influences from prehistory bleeding into a troubled and troubling modern era. As a result their music doesn’t sit easily anywhere, but ricochets between bewitching folk music and disconcerting hauntological experimentation.

The Glad Cafe

The Milk

The Rum Shack

Officer John

McChuills

For three decades, The&nbsp;Wildhearts&nbsp;have remained at the forefront of the UK rock scene; through incendiary, festival-topping live shows and fast-lane frolics, they have cemented their reputation as one of the finest, most prolific, most notorious outfit’s their homeland has produced – and now they’re back with a brand new studio album, their first for&nbsp;Snakefarm!&nbsp; Titled ‘Satanic Rites of The&nbsp;Wildhearts’ and produced / mixed by Jim Pinder and Carl Bown (Sleep Token / Bullet For My Valentine / While She Sleeps), the record is conceived – musically, visually and in terms of spirit and intent – as a belated 10-track follow-up to their classic debut, ‘Earth vs The&nbsp;Wildhearts’ (1993).&nbsp;

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