Belle & Sebastian - Tigermilk + fan favourites

Glasgow

Kelvingrove Bandstand

Robyn: the sexistential tour

OVO Hydro

Hayley Williams

O2 Academy

​JB &amp; Cardineau Sin, with The Way North and The Fountaineers. Tickets £15 / £12 student on the door. Jean-Baptiste Cardineau (he/him) is a Franco-American mandolin player, singer and songwriter who manifests his unique musical and lyrical vision via a well-spring of various early styles of music. His unique "Nouveau-Traditional" style has already unleashed the heavy picking artillery on some of the worlds biggest stages and won him the 2025 Freshgrass Award in mandolin and a full ride scholarship to Berklee College of Music where he studied Jazz, Classical music, and various ethic styles while his spontaneous Bluegrass playing became synthesized with the early innovators on the mandolin.​​&nbsp; JB was raised in the French Alps and moved to the Wild West as a teenager. He started playing fingerstyle guitar at eight years old prior to moving to the States in 2017, where he picked up his grandmother's 200 year old Breton mandolin. With a musical and lyrical vision, his voracious desire to find the Cardineau sound is the driving force behind his musical modus operandi.&nbsp;

JB & Cardineau Sin + The Way North + The Fountaineers

The Hug and Pint

Underworld

Edinburgh

West Princes Street Gardens

Tasha is a writer and musician born in Chicago and based in New York City. Her fourth album You Are Spring! will be released on Bayonet Records on June 26. On this resplendent new work, Tasha spirits us away from dull, gray winter into a world replete with images and sensations of new life. Think: a riot of bell shaped blooms; blush and citrine and butter yellow; the sky a clear, lungful of blue; warmth, everywhere, kissing skin overwintered and longing for touch; ease after suffering; a deep breath after suffocating. Recorded and produced in L.A. with her frequent collaborator Gregory Uhlmann, You Are Spring! follows 2024’s All This and So Much More, an album released on the heels of Tasha’s involvement in the Tony-award winning Broadway musical Illinoise. You can find her music at your local record store, or wherever you listen to music.

Tasha

Talib Kweli

Room 2

City of the Sun may live in Brooklyn, New York, but their genre-defying music drifts like a tide across borders. They weave together a mosaic that pulls from a global array of sounds and cultures. Shades of indie rock, Latin folk, blues, and World Music carry the weight of their stories and memories, revealing entire landscapes. Formed by guitarist John Pita, joined by drummer Zach Para, the band later introduced bassists Matt Fasano and guitarist Marco Bolfelli. City of the Sun creates music that feels at once intimate and cinematic—like a film you can step inside. Since their debut in 2016 with To The Sun and All the Cities in Between, to their 2020 self-titled, and 2022’s Segunda Alma, the band has built a cult-following around the globe. As their profile rose, City of the Sun began touring alongside Peter Bjorn and John and Thievery Corporation, and their songs started to connect with fans on a profoundly universal level. Their lush and visceral compositions carry echoes of desert winds, city nights, Mediterranean summers, and the quiet glow of loss and transformation. It is no wonder that audiences from London to Paris to Athens, and beyond, have embraced them with sold-out rooms – crowds raised in reverence – listening as if each note were a lyric.&nbsp; Their new album, Under the Moon, marks a return and feels like stepping out of the shadows and into new sunlight. Produced with the legendary Phil Ek (Fleet Foxes, Father John Misty, Built to Spill), the record bends through moods and geographies: the rolling surf of “Angeles,” the spaghetti-western hush of “Bajo la Luna,” the desert rock pulse of “Ciudad del Sol,” the Mediterranean sway of “Hotel Alma.” Songs like “Un Disparo al Corazon” and “Twenty Twenty One” carry the weight of grief and separation, as the band ruminates on all that was lost during the Pandemic. Elsewhere, “Ella” and “Dream” shimmer with groove disco-funk energy, a new sound for the band, reminding us of joy breaking through.&nbsp; In “London,” memory becomes music—the raw ache of heartbreak folded into surf-rock currents and new wave hues, echoing the city where the band first discovered the power of their international reach. While with “Cinderella Man,” they use the boxer James J. Braddock’s story as an allegory for the musician’s struggle. The collaborative “Vuela” takes the record even further into new terrain. Created with Spanish singer-songwriter Gizmo Varillas, it draws on the legacy of Argentine folk legend Atahualpa Yupanqui, intertwining Latin and African rhythms with a timeless, throwback spirit. It’s a song that feels both rooted in tradition and lit with forward motion—an emblem of the band’s ability to honor the past while shaping something entirely their own. “The serendipity of this song is that we didn’t write it for vocals. It just happened – Gizmo created a beautiful melody,” explains Pita. Finally, there’s “Metamorphosis." The album closes like a final frame in an old Western—departure, horizon, the sense of leaving one world behind to enter another.What City of the Sun creates is more than instrumental music. It is a language of its own—one that listeners across continents understand instinctively. Their stories shine through in the rhythmic fire of Pita’s Ecuadorian roots, in the pulse of Para’s percussion, in the global sensibilities Marco and Matt bring to the band’s evolving sound. Under the Moon is both a reflection of their shared journey and a signifier for what’s to come.&nbsp;

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